Barry is surprised when Felicity Smoak arrives from Starling City along with her boyfriend, Ray Palmer, who flies in as the Atom. They’ve come to visit S.T.A.R. Labs so Ray can get help with the power supply in his suit. Their timing turns out to be fortuitous because it’s all hands on deck after a meta human named Brie Larvin,, aka the Bug-Eyed Bandit unleashes hundreds of robotic bees to attack and kill her former co-workers, including Dr. Tina McGee. When Barry nearly dies from a bee attack, the team realizes that Ray must uses his Atom suit to help take Larvin down. They work together, and manage to defeat her. Meanwhile, Eddie struggles with knowing Barry’s secret, causing problems in his relationship with Iris. A group dinner with Barry, Felicity, Ray, Iris and Eddie turns into a disaster, as Iris has a big blow-out with Eddie for keeping secrets. Barry tries to convince Iris that Eddie is keeping her in the dark to protect her from darker police stuff, but she doesn’t totally buy it, and wants the full truth from Eddie. Barry struggles with trusting Caitlin and Cisco, wondering if they are in on the Wells conspiracy, but Felicity convinces him that they are his friends and he should tell them the truth. Barry fully reveals his theories to Caitlin and Cisco, and Cisco reveals he has been having flashes of the alternate timeline where Wells killed him.
A key to a good crossover is to either give the the guest characters something vitally important to do, or provide such ample, fanservice-y entertainment during their tenure that it defies narrative logic. The big and small Arrow crossovers have mostly succeeded in one way or another; Felicity’s position in “Going Rogue” provided a necessary conclusion to Barry’s initial Arrow appearances, while the Arrow’s appearances in the pilot and the midseason crossovers were a giddy passing-of-the-torch and explosively big team-up episodes, respectively. “Flash vs. Arrow” provided some movement in the overarching story for the show, but for the most part, it was a slew of competent comic book fanservice. The only exception is Cisco and Caitlin’s preview performance in “The Man Under the Hood,” which was rather shoe-horned in, but their presence was so unobtrusive (and forgettable) that it didn’t really matter.
“All-Star Team Up” tries to be both a team-up episode and a necessary point in the serialized story, but doesn’t quite push hard enough on either account. This is a team-up story where The Flash and The Atom “team-up,” but barely interact in costume, and face a threat that isn’t all that big enough to justify both of them. Meanwhile, Felicity is technically the catalyst for Iris and Eddie’s big blow-up and Barry deciding to fill Cisco and Caitlin in on the truth, but both of those things would have happened on their own without Felicity, or with another character in her place. She’s a good sounding board for Barry, especially given his fear of trust, and Barry’s emotional unloading on her late in the episode is the best scene between them both. But it’s not enough to justify their big trip, which seems to be solely for priming viewers for the upcoming spin-off, in case they haven’t been watching Ray on Arrow lately.
The biggest problem with “All-Star Team Up,” then, is the actual team-up’s relative superfluousness. The Wells story hit the gas pedal pretty hard last week, and while The Flash has normally balanced its main storyline with the episodic ones, the presence of Felicity and Ray feel like too much of a stall tactic this late in the game. If it was more organically placed within the story, it would work. But Felicity and Ray pop in uninvited and unannounced, coming off of one of the best and most tense Arrow episodes of the season. Except given their attitudes and Ray’s good health, it’s pretty clear that this team-up takes place earlier in the season, though it’s hard to pinpoint exactly where. (My best guess is sometime during “Suicidal Tendencies” after the Arrow damaged the ATOM suit’s power source, but would Felicity and Ray really take this overnight detour before going to the Mayor to clear the Arrow’s name at the end of that episode? That seemed pretty dire at the time.)
That’s absolutely a nitpick, and normally it’s one I’d ignore for the sake of fun. But in this case, it only further muddies the narrative reason Felicity and Ray needed to be in this episode. Whether it was due to scheduling or just a lack of synergy in general, the timing of this crossover just feels ill-advised and forced. It feels even weirder having watched the following Arrow the day after this one, too. If we’re going to eventually be juggling three shows in the same universe, things will become far too convoluted way too quickly if this happens consistently.
On the plus side, this is still a really good hour for Emily Bett Rickards and Brandon Routh, even if their characters trip up the flow of the show. Again, “All-Star Team Up” is still a typically fun episode despite the narrative problems, and that’s surely thanks to Rickards and Routh totally jibing with the tone and cast. Honestly, Rickards gets to play a more classic Felicity, separating herself from the moodier, soapier version she’s been playing on season 3 of Arrow. Felicity gets lots of one liners and funny awkwardness (“It’s like dating Barry in Oliver’s body”), and her voice of reason in her best scene with Barry is cleverly rooted in her earliest interactions with Oliver. Ray is also at his high-charm level, perfectly fitting in with the STAR Labs crew. They play out as a better couple when they don’t have the Oliver factor hovering over their heads, and their banter is very entertaining, as evidenced by all the awkward innuendo (“God, there’s two of them,” as Caitlin aptly observes.)
Emily Kinney doesn’t get very much screentime as the utterly campy Brie Larvin/Bug-Eyed Bandit, though she’s certainly memorable for being the absolute most comic book-y villain this show has done. It’s hard to say if that’s a pro or con, really; Kinney totally delivers on the cheese and clearly enjoys the role, and I can’t deny the pleasure I found in the awful, awful bee/sting/hive puns. A lot like how Wentworth Miller intentionally plays Captain Cold as a unique kind of over-the-top, Larvin is very deliberately being written to sound like some of the more cringeworthy comic book villains, and it’s hard to pinpoint its level of success in a case like that. Kinney’s delivery is great, and a cartoonish villain fits this show fairly well. But much like Devon Graye in “Tricksters,” she gets too little screentime to get a true sense of how well she works as a villain.
The Felicity-nemesis bit seems unnecessarily shoehorned in — especially when it might have been fun if the two actually were nemeses and got to have geeky puntastic banter. The set for Larvin’s lair and most of the bee effects are all solid, though, and the intricate design of the robotic bees is well-rendered. That said, Grant Gustin has a hard time reacting to the swarm CGI early on; you can tell he’s staring vacantly instead of something specific when he says his lines, which is especially noticeable when the bees swarm into thick patterns right in front of his face. It’s nice to see Larvin’s storyline tied into Tina McGee, though, just to see Amanda Pays back once more. She provides vital insight about Wells for Barry and Joe, too, a nice way to tie these disparate threads into something important. Now, can we get her a scene with John Wesley Shipp, please?
Iris is becoming a larger problem, though hopefully this is only a storm to be weathered before she finds a new place in the show. Right now, at least Eddie can function as an audience surrogate to point out just how bad the Iris situation is: “Wow, so everybody but Iris?” he says regarding Barry’s lack of secret identity. He’s got a good point, and plenty of shows, Arrow included, have suffered from the love-interest-secret trope totally bringing the show down. I praised Iris during the first half of the season, particularly Candice Patton’s vibrant and lively performance even in the midst of weaker material, but since just before “Out of Time” the use of her character has been on a downward slope.
The love triangle stuff is inevitable, and admittedly having Eddie in the know is enough of a shake-up to make things interesting. Rick Cosnett automatically gets loads of new (and constantly flustered) facets to play, further presenting him as the quintessential down-to-Earth nice guy in the show. But now Iris herself doesn’t come off very well; it makes sense, at first, that she’d be uneasy at Eddie when he’s acting suspicious. But then, even as she claims to believe Barry, that Eddie’s struggle stems from his darker policework and keeping her “not in the dark, but in the light,” she still totally pins Eddie down for answers. The guy’s a cop, meaning he’s going to deal with a lot of confidential cases and material. So Iris is pretty clearly in the wrong by saying Eddie has to be 100% trustworthy when, from what she knows, his “secret” could literally be a case of confidentiality that could get him fired. It screams forced melodrama, and paints Iris in a much more hostile light than she was at the beginning of the series.
Where the episode flourishes is Barry’s struggle with trust after his Reverse-Flash revelation. Grant Gustin nails the deep wound Wells’s betrayal leaves, in the aforementioned Felicity scene and underlying virtually the entire episode. Questioning Caitlin and Cisco makes sense considering how close Barry and Wells had become, though it’s good that this thread wasn’t stretched out more than this episode. The other side of the Wells mystery is Cisco’s ability to peer into the alternate timeline somehow, a perplexing but intriguing development. There will likely be a technobabbly explanation for how Cisco’s death mixed with the vibration of Wells’s hand in his body allowed his memory to cross timelines (or something equally ridiculous), but it’s a cozy way to keep the best scene from the “Out of Time” timeline in some sort of continuity. It does seem to be a cop-out on the surface, but considering Cisco was on the trail for Wells since before “Out of Time” on his own anyway, it’s reasonable that he could come to this conclusion regardless of time-hopping memory. This just lets a previously overwritten dramatic moment have some extra relevance.
This dramatic ending’s springboard into the Wells mystery, which is sure to take up the rest of the season, puts “All-Star Team Up” in perspective — but not in a good way. This is a fun episode, as The Flash episodes always are, and these guests are always welcome on the show. But they clearly need to fit in to the story being told, because the faulty logistics and lack of real substance in the guest heroes’ stories cause the episode to flounder below this show’s high bar. We’re stalling until we can get to the meat of the Wells stuff, and that’s disappointing considering how fast-paced The Flash normally is.
Odds & Ends
- I saw the Arrow episode “Broken Arrow” after this, and that actually turned out to be a better team-up episode, despite The Flash citing one in the title. Mostly in that Oliver Queen and the Atom actually appear to be teaming up.
- The eighteenth episode of The Flash and the eighteenth episode of Smallville both featured a female bee-themed villain. Weird, right?
- Love the opening sequence, with the Joe/robber switcheroo. The Joe/Eddie/Flash dynamic is very entertaining before the melodrama heats up.
- So there’s a defibrillator in The Flash’s suit. For something that’s relatively tight-fitting, there sure is a whole lot of complex tech packed in there.
- I love food and everything, but that quail egg dish did not look terribly appetizing. Luckily there were going to be 17 other courses…apparently.
- Liked Felicity listing all the bad stuff going on in Arrow, though oddly enough, it didn’t really sound as humorously bad as those “condensed plot synopses” gags usually are. Then again, stuff just got a whole lot worse on Arrow after this episode.
- Absolutely love Cisco going after the bee with a freakin’ freeze ray.
- More shrinking references for Ray! Please, please, please let this go somewhere good.
- “Is everyone in Central City in a bad mood? I thought this was supposed to be the fun one.”
- “I’m partial to…The Atom.”
“…Are you…married to that…?” – Cisco and Ray have an adorable bromance.
- “Is that a bird?”
“It’s a plane!”
“It’s my boyfriend!” – Oh, show. You’re adorable.
- “That was weird.”
“Yeah, why didn’t we get invited to dinner?”
Blu-ray Review: The Flash: The Complete Sixth Season
Review of The Flash Season 6 Blu-ray set from Warner Bros. Home Entertainment
The Flash: The Complete Sixth Season is now available on Blu-ray, DVD, and Digital from Warner Bros. Home Entertainment, and we have been provided with a copy of the set to review on the site!
The set features all 19 episodes of The Flash Season 6 plus extras — the Blu-ray includes all of the Crisis on Infinite Earths crossover!
Here’s what’s up:
Packaging & Design: Starting with this because it’s probably the first thing you’ll notice. The box art for this set has changed since the original press release — the fired Hartley Sawyer’s Ralph Dibny is no longer on the packaging. While I understand the show distancing themselves — Ralph was indeed an important part of Season 6, with his Sue Dearbon story, and I’m not 100% sure how I think they should have handled it. As it is, it looks odd with just the other four members of Team Flash on it. Though, to be fair, Nash Wells isn’t on the cover either.
With that said, The Flash sets usually have some of the best designed packaging and menu art and this set is no exception.
The Episodes: Also seems I am repeating myself but the Blu-ray presentation on The Flash is loads better than what we see on TV and is pretty cinematic. All 19 episodes of Season 6 are here, and — spoiler warning — because of COVID-19, they were cut off at 19 episodes, so that means some storylines aren’t completely wrapped. With that said, this season saw Eric Wallace taking over as showrunner, and with him came a new tactic that he referred to as “graphic novels.” The first “graphic novel” included the character Bloodwork (Sendhil Ramamurthy) as characters are facing death, and the second, after Crisis, dealt with a new “Mirror Master.”
I will say that The Flash under Eric Wallace has a great vision and I love his enthusiasm, which you can actually hear on the “Kiss Kiss Breach Breach” commentary. He’s as big of a geek as we are, and I mean that in the absolute best way. The only thing I’d have to say negative about Season 6 is that the mirror storyline has gone on way too long — and I wonder, if they had known all along that we’d end with 19 episodes (an impossibility, because who would?), it might have been a bit shorter.
This “graphic novel” set-up, however, does offer the chance to binge the season in parts, which is pretty cool, and the Blu-ray bonus disc of all of Crisis on Infinite Earths is a good thing to throw in the middle to tee up Graphic Novel #2.
The other thing I will say about Season 6 is that I really liked some of the new characters that are set up. Chester P. Runk, Sue Dearbon, Kamilla, and Allegra — all fun characters that add to rather than detract from the series.
The Extras: The set includes a bonus black and white noir version of “Kiss Kiss Breach Breach” with commentary by Eric Wallace. Commentaries don’t happen too often these days, so I’m so glad they put something on this set. There is also a gag reel and deleted scenes. And, of course, all of Crisis which has a lot of great Flash content!
Is It Worth It? If you’re a Flash completist or want to see the most recent season in high definition, sure. You might want to start at the very beginning, though. Still, I think The Flash is on its way back to its former glory and Season 6 is the start of that journey. Can’t wait for Season 7, and for now, this set will be revisited often.
Blu-ray Review: The Flash: The Complete Fifth Season
Review of the Flash Season 5 Blu-ray set.
The Flash: The Complete Fifth Season hits Blu-ray and DVD this week, containing all 22 episodes of Season 5 plus bonus episodes from the Elseworlds crossover. In addition to the entire season, there are few extra features for all to enjoy, though some are duplicated from other sets that were made available this year. Here’s the review.
The Episodes: As mentioned, all 22 episodes plus extras are on this set. And as I tend to write every year, the show isn’t quite at the high level it was in its first season, but there are definitely standouts in Season 5. A big theme for the season is family, and the conflicts between parents and their children. Caitlin and her parents are a part of that. The season’s villain is a part of that. And the biggest part of that is Nora West-Allen (Jessica Parker Kennedy), the daughter of Barry and Iris brought back from the future. Kennedy is fantastic in the role, though it is at times disappointing to see so much attention on a new character when we are here for the ones we’ve seen for 100+ episodes.
The Flash Season 5 contains the series’ 100th episode which is a great journey through the five years of the show. Sadly absent from Episode 100, though, is Joe West (Jesse L. Martin) who was recovering from an injury for a good part of the season. Martin’s presence was certainly missed though it is nice that the show upgraded Danielle Nicolet (Cecile) to series regular this year.
I’ll be honest: I wasn’t very invested in the Cicada story, at least not as much as I probably should have been. And I was even less into the latest Wells, “Sherloque,” which was a joke that stopped being funny within about 2 minutes, with no offense meant to the writers or Tom Cavanagh. It was nice to see the talented Cavanagh in another role, though part of me still is wondering why it was not Matt Letscher, though I’m forgiving that because, again, Tom Cavanagh.
I’m also not sure what to make of Vibe’s eventual fate, unless it is a way to make things less easy for next year’s crossover. In any event, watching these episodes still has me excited for Season 6, and The Flash is certainly a series that is worth the Blu-Ray upgrade.
The Extras: There’s a fantastic featurette about the origins of Killer Frost which is really well put together. I was, however, surprised that such attention wasn’t paid to XS/Nora as she was also a major arc for Season 5. Was there only room to cover one story? I’m also surprised there wasn’t some kind of 100th episode spotlight, especially since Warner Bros. did have press kit people on the line interviewing the cast.
There are Elseworlds, villains, and Comic-Con featurettes that you can find on the other DC TV shows this year, which I can only imagine is a cost-cutting measure to include them everywhere.
The set also has deleted scenes, with the most notable being Superman running with Oliver Queen from “Elseworlds Part 1.” It’s a shame that was cut. There was also a “My Name Is Barry Allen” from “Elseworlds” with Stephen Amell replacing Grant Gustin as Grant replaced him in the aired Part 2 — this was surely cut and unfinished so as to not blow the reveal that Oliver was Barry in Part 1. It’s still really cute and fun.
Finally, there’s a gag reel. While they are introduced with credits like The Office, they’re still a bit… meh.
Packaging and Design: Seeing Barry and Nora running side by side is the perfect way to sell this. Very nice looking.
Is It Worth It? I’ll always recommend picking up Flash Blu-Rays from the beginning, but this is certainly worthwhile, especially to prepare for Season 6 to premiere on October 8. You can purchase this set (and support this site!) here.
Blu-ray Review: The Flash: The Complete Fourth Season
Review of the Blu-ray set for The Flash: The Complete Fourth Season
The Complete Fourth Season of The Flash hits Blu-ray and DVD this week (Tuesday, August 28), and we’ve got our hands on a review copy!
Before we get to the review, here’s how the season is described:
In Season Four, the mission of Barry Allen, aka The Flash (Grant Gustin), is once more to protect Central City from metahuman threats. First, he’ll have to escape the Speed Force. With Barry trapped, the job of protecting Central City falls to his family – Detective Joe West (Jesse L. Martin); his fiancée, Iris West (Candice Patton); and Wally West/Kid Flash (Keiynan Lonsdale) – and the team at S.T.A.R. Labs – Dr. Caitlin Snow/Killer Frost (Danielle Panabaker), Cisco Ramon/Vibe (Carlos Valdes) and brilliant scientist Harrison Wells (Tom Cavanagh). When a powerful villain threatens to level the city if The Flash doesn’t appear, Cisco risks everything to break Barry out of the Speed Force. But this is only the first move of a life-or-death chess game with Clifford DeVoe aka The Thinker (Neil Sandilands), a mastermind who’s always ten steps ahead of Barry, no matter how fast he’s running. Shocking surprises come fast and furious in all 23 action-packed adventures featuring The Fastest Man Alive.
So, how’s the set?
The Episodes: It’s going to be very hard to ever replicate the greatness that was the first season of The Flash. Unfortunately, one thing that The Flash Season 1 did so well that still didn’t connect for Season 4 is a strong villain. While I have more appreciation for The Thinker after rewatching some episodes and checking out the extra interview features on this set, I still don’t really feel that empathy and care for him that I had for, say, Eobard/Wells.
Season 4 also tried to course correct with more humor to varied success. Sometimes it worked; others the show was far too amused with itself. (I don’t need to see any more Wellses no matter how much I love Tom Cavanagh, for example, and “psychic pregnancy” will never not be too campy for me.)
There’s some good stuff, though. The best version of Barry’s suit so far premieres in Season 4, and Barry and Iris finally get married this year, even if every time they got married, they ended up interrupted. There are some episodes that worked to innovate, and there are also things like Barry in jail which seem to go on for too long. But at least with a DVD or Blu-ray you can fast forward, right?
Season 4 is also where we meet Ralph Dibny. He grows on you until you finally stretch your appreciation levels. By season’s end, you love Ralph as much as everyone else might.
The Extras: Of all the DC TV shows, The Flash usually gets the best treatment as far as extras go. We’ve got deleted scenes (including some WestAllen!), bloopers, and the all-encompassing Comic-Con video… and some other great extras, including Sterling Gates and Eric Wallace with Katee Sackhoff offering commentary on Amunet (who I do enjoy more after seeing Sackhoff speaking about her, but I still don’t understand why the silly accent was a thing). There’s also a really nice feature about the Elongated Man, and all four episodes of this year’s DC TV crossover are represented.
There’s also talk about The Thinker, and as I said, I appreciate the storyline more but I still didn’t have that emotional connection with the character that I feel I needed. The other bodies thing at midseason made that all even worse.
Packaging & Art: This is one of the best looking Flash Blu-ray sets so far. Dynamic design on the box art and on the discs. I like it.
Is It Worth It? As I said, nothing will be Season 1 again, but if you’re a fan of The Flash there are a lot of extras to make this worth it. Order yours from Amazon.com at a discounted rate and support this website!