Joe and Cisco head to Starling City to continue their investigation of Dr. Wells. While in town, the duo enlists the help of Captain Lance, and they track down the real Harrison Wells’s body buried near his original crash sit. Quentin and Joe discuss their relationships with their daughters, and how secrets can hurt them as they have the Lances. Joe, however, believes secrets are still worthwhile when they’re for the people you love. Cisco meets Laurel, who reveals herself as Black Canary , who asks him to improver Sara’s sonic device. He fashions it into a choker, and suggests calling it the Canary Cry. Meanwhile, back in Central City, Barry races to catch a meta-human named Hannibal Bates/Everyman who can transform himself into every person he touches. He turns into Eddie and shoots two police officers, so Barry and Iris work to prove him innocent. Wells creates a serum that blocks Everyman’s powers, which Barry uses to stop him. Eddie tells Iris “the truth” — that he has been working with The Flash. Caitlin is apprehensive about investigating Wells, but the body Joe and Cisco find gives them all enough evidence to be justified. The three then discover Wells’s secret room, the Reverse-Flash suit, and the newspaper reading 2024.
It would be disingenuous to say “Who Is Harrison Wells?” isn’t stalling just a bit here. After all, what the team discovers — the body, the secret room, the time travel — is everything we already know. It’s a necessary evil of plotting out a mystery in such a long form, and it’s the only hiccup the Wells material has felt since very early on. It’s also what makes Barry, Caitlin, and Cisco’s discovery of the secret room and 2024 newspaper still work: even though it’s not a reveal to we in the audience, it marks a significant progression in the plot from here on out. There is absolutely no turning back now, and that’s where the episode’s final moments draws the “shocking” moments.
The investigations of the titular question don’t actually take up much screentime this week, but they are constantly hovering over every aspect of the episode. The shapeshifter Everyman conveniently preps the team for the possibility of Wells being a literal different person like Tina McGhee suggested, and you could argue that just by having a shapeshifter, there are inherently themes about identity and perception. As per usual with The Flash, though, the show doesn’t delve too deeply and retains more of a fun superhero story. That pretty much means The Flash gets to fight hand-to-hand with Eddie, Caitlin, and Iris, and that’s really entertaining, if anything just because we get to see the actors out of their element and playing up the villainy. Grant Gustin stands out as he plays up the shifty (no pun intended) side, accompanied by a pleasantly awkward and chimey musical motif.
Everyman is portrayed well for the most part, the fast-paced quality of his shifting keeping the episode moving and upping some of the stakes. Suggesting that he could also copy powers is clever, even if it’s anticlimactically nixed as an idea. The biggest problem is that he’s too powerful for no good reason, besting The Flash in hand-to-hand combat for a while. And would Barry really have been unconscious for hours after getting knocked out considering he has super healing? The show has had problems recently with villains being formidable enough for The Flash — the fact that Barry couldn’t outrun the bees last week is still absurd, for example. It’s particularly noticeable because early season villains always seemed like a threat to Barry’s power directly, so it’s not for lack of trying. In the case of Everyman, he apparently gained Arrow-levels of martial arts abilities, despite no indication of training. The fight sequence is incredibly cool, don’t get me wrong, it just doesn’t make a whole lot of sense. At least Smallville‘s first shapeshifter had superstrength thrown in with a pseudo-science-y explanation, so The Flash could have done something similar. That said, kudos for the make-up and prosthetics on Hannibal Bates’s true face, one of the creepiest things we’ve seen on the show yet.
The shapeshifting fun gives Rick Cosnett more to do. For one, the Eddie/Barry duo is a solid one, the two men displaying a lot of friendly chemistry even in spite of the love triangle awkwardness. As much of a slog as the triangle business has been in the back half of the season, it’s refreshing to see the two competing lovers get along very well. Lots of little things, like Barry’s attempt to get Eddie on the run, and especially the two awkwardly together on the tiny couch, have a pleasant buddy cop feel to them. This relationship may turn sour down the road as the Eobard Thawne/Eddie Thawne connection becomes exposed, but right now, Barry and Eddie are a joy to see together. Eddie gets a decent arc throughout the episode, too, with his near-imprisonment pushing him to reevaluate, eventually changing things with Iris. There are still issues with the Iris secret, but at least telling her part of the truth — that Eddie is working with The Flash — is heading in the right direction, albeit slowly. Iris proves her merit a bit more, too, gaining some vital information on catching Everyman at first. Her journalism material hasn’t yielded much of anything, disappointingly, but it’s good to actually see her able to provide to the main storyline.
We get a bit of the opposite with Caitlin, indulging in some people’s yearning for a Barry/Caitlin hook-up while immediately shooting it down, too. There’s no reason to think things can’t change between the two down the line, but right now, their kiss is played as a joke — one that Caitlin openly says is a relief to be revealed as the shapeshifter. The real meat of Caitlin’s storyline, though, is that she presents the rational side of the Wells mystery. After all, everyone’s suspicions have been based on conjecture, not evidence. Gut feelings and alternate timeline-dreams do not make a good case for accusing your best and most valued friend in the world as an evil murderer and greatest nemesis, nor does investigating it all behind his back seem like a fair way to approach it. We know Caitlin is wrong about her suspicions, but her arguments are completely valid. It gives the team a big push to get firm evidence, finally, and they strike gold with what they find. Danielle Panabaker is wonderful as she describes just how devastating Wells as a villain would be, a speech that perfectly paints a picture of the terrible situation the Star Labs crew finds themselves in. The lightness of the show often masks just how dark its storylines are, and it’s worth remembering just how deep this betrayal truly cuts.
Last week’s titular team-up turned out to be a lackluster and mostly pointless crossover, but this week seeks to make up for it a bit. Unlike the Atom and Felicity feeling mostly shoehorned into the show, Joe and Cisco’s venture to Starling City is productive both for the plot and for the characters involved. Including Quentin and Laurel provides a foil for Joe and Iris, especially given the rocky circumstances both are in. Laurel (spoilers for Flash fans not caught up on this season of Arrow) lying to Quentin about his own daughter being dead is a different kind of frakked-up, but it’s still the old “you lie to the ones you love” excuse. It’s hard to not understand how betrayed Quentin was upon finding it out, no matter how much Laurel did it out of “love.”
Iris might not be angry at her dad right now, but considering the grief she’s been given by every man in her life, Joe has a valid reason to be worried that Iris won’t take the news well when she inevitably finds out the whole story. It can’t be a coincidence that this episode has Iris passive-aggressively mentioning “The Burning Man” to Caitlin, implying the growing bitterness Iris is feeling as she realizes more and more how left out of the circle she is. Even though Barry’s identity is the big secret, it’s been Joe all along who has pressed everyone to keep his his dear little girl out of danger, despite how little it would change things (she’s been in danger because of the Flash once, but has been in danger just by being around her dad or Eddie, like, every other episode.) At times the show, despite its relative progressiveness in character diversity, has felt unusually old-fashioned in its treatment of the main love interest. Last week, for example, Joe said what boiled down to “her father makes her decisions for her, until her husband does,” which is a pretty terrible thing to say here in 2015. So it’s a relief to directly acknowledge what Joe might be doing to his relationship, and comparing it to the profoundly broken Lance family is a stroke of brilliance. Joe tries to brush it off by pulling that same “you lie to the ones you love” card, but by having him say that to Quentin of all people, it’s clear where the show stands now. And it’s not with Joe, no matter how charming and well-intentioned he is.
Laurel doesn’t really play much of a role in the episode other than spark the conversation between Joe and Quentin, but her interactions with Cisco provide some of the best levity in the episode. Cisco hasn’t fanboyed out at any hero like he has Black Canary — it’s a blonde in sleek leather beating up dudes with sticks, who wouldn’t love that? — and it’s extra fun that the hero in question is one of the most new and untrained, meaning she’s going to be appropriately giddy from all the fanfare. It’s pleasant seeing Katie Cassidy get to play a happy Laurel for once, and she’s much more enjoyable on screen for it. There’s little to talk about, really, but it’s awesome that we now have a real Canary Cry in the form of a choker. It’s going to be fun seeing that in action on Arrow, and ought to be just the push Black Canary needs into being a fully effective solo hero.
But as for the folks in The Flash, “Who Is Harrison Wells?” feels like the last climb before reaching the apex. This isn’t a full tablesetting kind of episode, as enough episodic arcs conclude and progress on their own, but it is one that has to exist to set-up the final batch. Between the typical episodic shenanigans and crossovers, the pieces are steadily being moved into place. Everyone is now caught up and on the same page (except for the unfortunately ever-ignorant Iris, of course) in time to start throwing down the gauntlet, and judging from next week’s spoilerific preview, that’s certainly what’s happening.
Odds & Ends
- True Detective Season 3: Joe West and Quentin Lance. Make it happen.
- Quentin says he misses being a detective, but can’t be out in the field as much because of his heart condition. But, let’s be real here, has his job as Captain really been any less stressful or physically demanding?
- Love Everyman’s ruse, turning into a screaming kidnapped girl when he’s with Iris and Caitlin.
- At one point when Everyman is escaping, he knocks a guy with a giant backpack over and down the stairs. It’s brutal.
- So Quentin’s floating coffee is supposed to show how weird and tachyon-infused the area of Wells’s corpse is, or something. I mean, okay.
- I really dig the gold necklace Iris wears in this episode.
- Anyone else get a flashback to the T-1000 melting in Terminator 2 when Everyman’s powers go haywire?
- Appreciate that we specifically get a scene of Barry handing over paperwork of Everyman’s past cases to clear anyone he impersonated. There’s some wish-fulfillment going on there, but it’s definitely representative of the show’s optimism. Anytime people get possessed in Supernatural and do awful things under the control of an evil force, they usually end up rotting in prison for it.
- “Is that possible?”
“Are you seriously asking that question?” – The Flash in a nutshell.
- “Is that what I think it is?”
“That is definitely a hand.”
“I thought it was a foot, but a hand is just as bad.”
Blu-ray Review: The Flash: The Complete Sixth Season
Review of The Flash Season 6 Blu-ray set from Warner Bros. Home Entertainment
The Flash: The Complete Sixth Season is now available on Blu-ray, DVD, and Digital from Warner Bros. Home Entertainment, and we have been provided with a copy of the set to review on the site!
The set features all 19 episodes of The Flash Season 6 plus extras — the Blu-ray includes all of the Crisis on Infinite Earths crossover!
Here’s what’s up:
Packaging & Design: Starting with this because it’s probably the first thing you’ll notice. The box art for this set has changed since the original press release — the fired Hartley Sawyer’s Ralph Dibny is no longer on the packaging. While I understand the show distancing themselves — Ralph was indeed an important part of Season 6, with his Sue Dearbon story, and I’m not 100% sure how I think they should have handled it. As it is, it looks odd with just the other four members of Team Flash on it. Though, to be fair, Nash Wells isn’t on the cover either.
With that said, The Flash sets usually have some of the best designed packaging and menu art and this set is no exception.
The Episodes: Also seems I am repeating myself but the Blu-ray presentation on The Flash is loads better than what we see on TV and is pretty cinematic. All 19 episodes of Season 6 are here, and — spoiler warning — because of COVID-19, they were cut off at 19 episodes, so that means some storylines aren’t completely wrapped. With that said, this season saw Eric Wallace taking over as showrunner, and with him came a new tactic that he referred to as “graphic novels.” The first “graphic novel” included the character Bloodwork (Sendhil Ramamurthy) as characters are facing death, and the second, after Crisis, dealt with a new “Mirror Master.”
I will say that The Flash under Eric Wallace has a great vision and I love his enthusiasm, which you can actually hear on the “Kiss Kiss Breach Breach” commentary. He’s as big of a geek as we are, and I mean that in the absolute best way. The only thing I’d have to say negative about Season 6 is that the mirror storyline has gone on way too long — and I wonder, if they had known all along that we’d end with 19 episodes (an impossibility, because who would?), it might have been a bit shorter.
This “graphic novel” set-up, however, does offer the chance to binge the season in parts, which is pretty cool, and the Blu-ray bonus disc of all of Crisis on Infinite Earths is a good thing to throw in the middle to tee up Graphic Novel #2.
The other thing I will say about Season 6 is that I really liked some of the new characters that are set up. Chester P. Runk, Sue Dearbon, Kamilla, and Allegra — all fun characters that add to rather than detract from the series.
The Extras: The set includes a bonus black and white noir version of “Kiss Kiss Breach Breach” with commentary by Eric Wallace. Commentaries don’t happen too often these days, so I’m so glad they put something on this set. There is also a gag reel and deleted scenes. And, of course, all of Crisis which has a lot of great Flash content!
Is It Worth It? If you’re a Flash completist or want to see the most recent season in high definition, sure. You might want to start at the very beginning, though. Still, I think The Flash is on its way back to its former glory and Season 6 is the start of that journey. Can’t wait for Season 7, and for now, this set will be revisited often.
Blu-ray Review: The Flash: The Complete Fifth Season
Review of the Flash Season 5 Blu-ray set.
The Flash: The Complete Fifth Season hits Blu-ray and DVD this week, containing all 22 episodes of Season 5 plus bonus episodes from the Elseworlds crossover. In addition to the entire season, there are few extra features for all to enjoy, though some are duplicated from other sets that were made available this year. Here’s the review.
The Episodes: As mentioned, all 22 episodes plus extras are on this set. And as I tend to write every year, the show isn’t quite at the high level it was in its first season, but there are definitely standouts in Season 5. A big theme for the season is family, and the conflicts between parents and their children. Caitlin and her parents are a part of that. The season’s villain is a part of that. And the biggest part of that is Nora West-Allen (Jessica Parker Kennedy), the daughter of Barry and Iris brought back from the future. Kennedy is fantastic in the role, though it is at times disappointing to see so much attention on a new character when we are here for the ones we’ve seen for 100+ episodes.
The Flash Season 5 contains the series’ 100th episode which is a great journey through the five years of the show. Sadly absent from Episode 100, though, is Joe West (Jesse L. Martin) who was recovering from an injury for a good part of the season. Martin’s presence was certainly missed though it is nice that the show upgraded Danielle Nicolet (Cecile) to series regular this year.
I’ll be honest: I wasn’t very invested in the Cicada story, at least not as much as I probably should have been. And I was even less into the latest Wells, “Sherloque,” which was a joke that stopped being funny within about 2 minutes, with no offense meant to the writers or Tom Cavanagh. It was nice to see the talented Cavanagh in another role, though part of me still is wondering why it was not Matt Letscher, though I’m forgiving that because, again, Tom Cavanagh.
I’m also not sure what to make of Vibe’s eventual fate, unless it is a way to make things less easy for next year’s crossover. In any event, watching these episodes still has me excited for Season 6, and The Flash is certainly a series that is worth the Blu-Ray upgrade.
The Extras: There’s a fantastic featurette about the origins of Killer Frost which is really well put together. I was, however, surprised that such attention wasn’t paid to XS/Nora as she was also a major arc for Season 5. Was there only room to cover one story? I’m also surprised there wasn’t some kind of 100th episode spotlight, especially since Warner Bros. did have press kit people on the line interviewing the cast.
There are Elseworlds, villains, and Comic-Con featurettes that you can find on the other DC TV shows this year, which I can only imagine is a cost-cutting measure to include them everywhere.
The set also has deleted scenes, with the most notable being Superman running with Oliver Queen from “Elseworlds Part 1.” It’s a shame that was cut. There was also a “My Name Is Barry Allen” from “Elseworlds” with Stephen Amell replacing Grant Gustin as Grant replaced him in the aired Part 2 — this was surely cut and unfinished so as to not blow the reveal that Oliver was Barry in Part 1. It’s still really cute and fun.
Finally, there’s a gag reel. While they are introduced with credits like The Office, they’re still a bit… meh.
Packaging and Design: Seeing Barry and Nora running side by side is the perfect way to sell this. Very nice looking.
Is It Worth It? I’ll always recommend picking up Flash Blu-Rays from the beginning, but this is certainly worthwhile, especially to prepare for Season 6 to premiere on October 8. You can purchase this set (and support this site!) here.
Blu-ray Review: The Flash: The Complete Fourth Season
Review of the Blu-ray set for The Flash: The Complete Fourth Season
The Complete Fourth Season of The Flash hits Blu-ray and DVD this week (Tuesday, August 28), and we’ve got our hands on a review copy!
Before we get to the review, here’s how the season is described:
In Season Four, the mission of Barry Allen, aka The Flash (Grant Gustin), is once more to protect Central City from metahuman threats. First, he’ll have to escape the Speed Force. With Barry trapped, the job of protecting Central City falls to his family – Detective Joe West (Jesse L. Martin); his fiancée, Iris West (Candice Patton); and Wally West/Kid Flash (Keiynan Lonsdale) – and the team at S.T.A.R. Labs – Dr. Caitlin Snow/Killer Frost (Danielle Panabaker), Cisco Ramon/Vibe (Carlos Valdes) and brilliant scientist Harrison Wells (Tom Cavanagh). When a powerful villain threatens to level the city if The Flash doesn’t appear, Cisco risks everything to break Barry out of the Speed Force. But this is only the first move of a life-or-death chess game with Clifford DeVoe aka The Thinker (Neil Sandilands), a mastermind who’s always ten steps ahead of Barry, no matter how fast he’s running. Shocking surprises come fast and furious in all 23 action-packed adventures featuring The Fastest Man Alive.
So, how’s the set?
The Episodes: It’s going to be very hard to ever replicate the greatness that was the first season of The Flash. Unfortunately, one thing that The Flash Season 1 did so well that still didn’t connect for Season 4 is a strong villain. While I have more appreciation for The Thinker after rewatching some episodes and checking out the extra interview features on this set, I still don’t really feel that empathy and care for him that I had for, say, Eobard/Wells.
Season 4 also tried to course correct with more humor to varied success. Sometimes it worked; others the show was far too amused with itself. (I don’t need to see any more Wellses no matter how much I love Tom Cavanagh, for example, and “psychic pregnancy” will never not be too campy for me.)
There’s some good stuff, though. The best version of Barry’s suit so far premieres in Season 4, and Barry and Iris finally get married this year, even if every time they got married, they ended up interrupted. There are some episodes that worked to innovate, and there are also things like Barry in jail which seem to go on for too long. But at least with a DVD or Blu-ray you can fast forward, right?
Season 4 is also where we meet Ralph Dibny. He grows on you until you finally stretch your appreciation levels. By season’s end, you love Ralph as much as everyone else might.
The Extras: Of all the DC TV shows, The Flash usually gets the best treatment as far as extras go. We’ve got deleted scenes (including some WestAllen!), bloopers, and the all-encompassing Comic-Con video… and some other great extras, including Sterling Gates and Eric Wallace with Katee Sackhoff offering commentary on Amunet (who I do enjoy more after seeing Sackhoff speaking about her, but I still don’t understand why the silly accent was a thing). There’s also a really nice feature about the Elongated Man, and all four episodes of this year’s DC TV crossover are represented.
There’s also talk about The Thinker, and as I said, I appreciate the storyline more but I still didn’t have that emotional connection with the character that I feel I needed. The other bodies thing at midseason made that all even worse.
Packaging & Art: This is one of the best looking Flash Blu-ray sets so far. Dynamic design on the box art and on the discs. I like it.
Is It Worth It? As I said, nothing will be Season 1 again, but if you’re a fan of The Flash there are a lot of extras to make this worth it. Order yours from Amazon.com at a discounted rate and support this website!